The accessory is relatively compact and lightweight, considering. According to the company, when paired with this lens, Orbiter can achieve an output similar to that of the ARRI L-10 and True Blue ST2/3 (with a 2000W tungsten bulb). The Arri L7-C is variable color from true daylight 5600K to true tungsten 3200K, as well as any theatrical color in between. Need an LED Fresnel Take a look at Arri's L7-C and L7-T fresnels for studio or location work. The accessory offers a large zoom range that goes from 15 up to 65°. The Locaster offers high output, daylight balanced lighting in a compact, rugged design. This new entry aims at producing a detailed light spot with a gentle single shadow, ARRI claims. Image credit: ARRI ARRI Orbiter Fresnel Lens: large zoom range The new ARRI Orbiter Fresnel lens joins three existing Open Face optics (15°, 30°, and 60°). Now, a new high-quality Fresnel lens joins the squad. ARRI already offers a series of light shaping tools that are specifically designed for Orbiter, including optics, softboxes, light domes, barn doors, and the recently-released Orbiter Docking Ring. ARRI accessories like the 4- and 8-leaf barndoors can be added to the new Orbiter Fresnel lens to enable a perfect cut. By the way, if you’d like to deepen your knowledge of this lighting system, make sure to check out this interview we conducted a few years ago. This 23 long Power Cord with Switch for L-Series Fresnels from ARRI provides mains power to the L5, L7, and L10 series LED fresnel lights. These allow filmmakers to quickly and precisely shape light according to their likings. Indeed, the front of this high-output RGBACL LED point-like source can accept a wide variety of optics via the company’s proprietary Quick Lighting Mount (QLM). Announced in September 2019, the ARRI Orbiter is designed with versatility in mind. It offers a large, remotely-controllable zoom range (15°-65°), precise Fresnel output, and built-in LED display. The new ARRI Orbiter Fresnel Lens joins the wide family of accessories designed for the company’s high-output directional LED fixture. Physical gels can also be used in addition to the more than 300 already pre-programmed gels available for Orbiter.ARRI Orbiter Fresnel Lens Introduced – Fully-Motorized 15-65° Zoom Range ARRI accessories like the 4 and 8-leaf barndoors can be added to the new Orbiter Fresnel lens to enable a perfect cut. Orbiter's unique Quick Lighting Mount (QLM) system allows the Orbiter Fresnel lens to be mounted safely and quickly. The display backlight can be adjusted, and status information and zoom angle are available via the metadata for maintenance and postproduction needs. Įquipped with a display, status LED, and a high-resolution encoder, the Orbiter Fresnel lens offers information that is easily accessible. The Orbiter Fresnel lens is a great addition to the already existing Orbiter Open Face Optics 15 Degree, 30 Degree, and 60 Degree. The large zoom range of 15 to 65 Degree is fully motorized and can be precisely positioned while being controlled locally via Orbiter's Control Panel or remotely by DMX/RDM or IP based (ArtNet or sACN).Ĭombined with Orbiter's ARRI Spectra light engine, the high-end optical system is perfectly suited for cinematic application, broadcast studios, as well as theaters or live productions. Its lens diameter of 285 mm / 11.2 in equals that of the True Blue ST2/3 and T5. Despite its large aperture, the Orbiter Fresnel lens housing is compact (approx. ARRI Orbiter Fresnel Set with 15-65 Lens. The Fresnel lighting character works best with a large aperture and a wide zoom range. The light output of Orbiter with the Fresnel lens is comparable to the ARRI L-Series LW and True Blue 5T2/3 with 2000 W Tungsten bulb. The Orbiter Fresnel Lens creates a precise light spot with a soft single shadow, and it delivers true Fresnel output with a real Gaussian field of light.
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